MARÉE NOCTURNE | Société des arts technologiques

MARÉE NOCTURNE


10 au 24 Jul 2021
-
Espace SAT
En français >
Buy your ticket 18 +
regular
$20.00

MARÉE NOCTURNE
A new wave of shows


Finally, nightlife is back! This July, the SAT is launching a new event series for music lovers craving new discoveries. Marée nocturne features a line-up of concerts, DJs and VJs, reunited at last with their audience in a space transformed by amazing scenic design.

This first edition's programming showcases both must-sees and new discoveries of the Canadian music scene:

SATURDAY, JULY10:
TDA
NIGHT LUNCH

FRIDAY, JULY 16:
CADENCE WEAPON
MAGI MERLIN

SATURDAY, JULY 17:
WHITNEY K.
ALIAS

FRIDAY, JULY 23:
JUMP SOURCE (Priori + Patrick Holland)

SATURDAY, JULY 24:
SAN FARAFINA and AKANTU from the Moonshine collective.


An original hybrid experience in the Espace SAT

The scenography of Marée nocturne was entrusted to multidisciplinary artist Kelly Nunes, known for his monumental NEWT public art project in Miami, as well as for the Celestial Cycle artwork series at Montreal's Never Apart gallery. Nunes brings a holistic vision, mixing multiple forms of media to create experiences that push the boundaries of perception and narrative. For this series, he will be joined by VJs Bunbun and Jason Voltaire to create an original hybrid experience for both in-person and online audiences.


MARÉE NOCTURNE - PROGRAMMING

TDA
JULY 10
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TDA is the solo project of post-punk multi-instrumentalist Samuel Gougoux. Involved as a drummer in several bands of the Montreal scene (VICTIME, Corridor, N NAO, Jonathan Personne), he experiments with electronic and industrial music.

BANDCAMP
NIGHT LUNCH
JULY 10
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The members of Night Lunch have toiled in the shadowy corners of Quebec’s own sin city, enriching its DIY scene for the better part of a decade, manifesting in such esteemed combos as Baked Goods and The Marlees. Now as Night Lunch, their retro-futurist sex-syrup concoction is fully realized; patented, potent, and keenly produced; emerging from the lo-fi mud to reveal a shimmering gem of pop immortality.

WEBSITE
WHITNEY K.
JULY 16
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The creative vehicle known as Whitney K. has existed since roughly 2014. Initially forming as a notion while songwriter and perpetual wanderer Konner Whitney was stranded in Toronto. For the most part the emphasis has been on songwriting with little attention paid to genre or style. Sounds ranging from electronic to folk, rock to bedroom pop have all been released under the moniker. However, for the last few years Whitney K. has been building toward a vision of modern country and guitar based music that seeks to marry sonic elements of "classic" eras with a lyrical focus on the present and future.

BANDCAMP
ALIAS
JULY 16
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Multi-instrumentalist, composer, dilettante, polymath, Emmanuel Alias went through more than four paths before arriving at his eponymous psych-rock project, ALIAS. After 9 years studying jazz, he arrived in Quebec in 2014 and began working at XS Music, where he participated in the composition of music for HBO series and for Cirque du Soleil. And, in parallel with all this, he maintains a small plethora of projects to accommodate his need to explore genres, releasing punk, hip-hop and ambient albums under different pseudonyms, before landing on ALIAS.

BANDCAMP
CADENCE WEAPON
JULY 17
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Cadence Weapon is Edmonton-born, Toronto-based rapper, producer, writer and poet Rollie Pemberton. The son of a pioneering hip-hop radio DJ, Pemberton grew up around a diverse library of music. Splitting his time between Edmonton’s experimental electronic and underground rap scenes as a teenager, Pemberton eventually developed a hybrid of both styles. Using elements of trap, drill, grime and acid house, Cadence touches on themes of systemic racism, structural inequality, police profiling, gentrification, the internet’s pervasive effects on our lives and the surveillance state.

WEBSITE
MAGI MERLIN
JULY 17
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Underpinned by an uncompromising introspection while exploring themes surrounding her own racial identity, love, and personal growth, Montreal-Based Magi Merlin sprinkles her otherworldly aura & clever lyrics upon a unique brand of alternative R&B & Neo-soul. The release of her jaw-dropping single & Music Video “Walking to the Dep” as well as her last EP “Drug Music” have left people wondering how they might’ve never heard of the project before. One thing is certain, Magi will not stay underrated for long.

SOUNDCLOUD
JUMP SOURCE
JULY 23
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Jump Source is a collaborative effort between two pals, Francis Latreille (Priori) & Patrick Holland (Project Pablo). It all started on a Thursday afternoon in Montreal's Mile End at Francis' home studio. Over an MPC 2000XL, Moog Source, modular kit, and some Junos, the two tweaked breaks and blended pads until things sat just right.The duo venture through various strains of dance music in the studio, focusing on intuitive longform recordings full of quirks – subtle, yet dense. Though their independent work differs, the throughline of influence can be heard across the Jump Source catalogue, and through their choice of records.

BANDCAMP
SAN FARAFINA
JULY 24
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Colliding up-tempo club beats with the ethos of modern afro sounds, Farafina, a Montreal-based DJ, curates an ethereal fusion that draws inspiration from her diasporic roots and eclectic upbringing. She fuses the signature chords of future bass, the unrefined nature of garage and the erratic rhythms of afro-house and reggaeton to create a story that can only be told through sound.

SOUNDCLOUD
AKANTU
JULY 24
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Few DJs understand the complexity of sound and the technical process of their music like AKAntu. Born in Congo, both MC and DJ, he developed a passion for music at a young age, finding solace in his father's production studio, where he learned musical creation techniques with sound engineers, DJs and musicians. Inspired by the sounds of its roots, AKAntu's music crosses Congolese Rumba towards a melodic whirlwind that mixes genres. By merging 90s RnB, deep house influences and jazz riffs to the sounds of his native land, AKAntu's performances reflect his journey, an odyssey that takes us to the source of rhythm and movement.

SOUNDCLOUD
KELLY NUNES
Scenic Design
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Kelly Nunes is a multi-disciplinary artist with a background in film and musical composition whose practice focuses on responsive environments. Nunes brings a holistic vision that blends multiple media forms to create powerful experiences that push the boundaries of perception and storytelling. He has a passion for driving innovative technologies at the intersection of architecture and scenography to service transformative, human centred environments. He is mostly known for his monumental and orchestral public art project NEWT Miami, as well as his Celestial Cycle, a series of commissions for Montreal’s Never Apart Gallery, the Moon Room, Sun Room, and Earth Room. Additional commissions include the Black Hole Room in the private collection of Lightspeed founder Dax Dasilva. Born in Toronto, Nunes is currently based in Montreal where he works on a project basis as a director for Moment Factory and Daily tous les jours studios.

WEBSITE
VJ BUNBUN
VJ SET
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BunBun is a Montréal-based VJ whose style is best described as brightly hued, ultra-textured, beat-synced, and holographic looking. Bun specializes in real-time projection mapping with a distinct artistic vision for uniquely animated, high-energy illuminations. Bun’s work has been showcased on BE-AT.TV and seen around North America at events / venues like: Bass Coast, Burning Man, Jazz Fest, Île Soniq, Igloofest, Mutek, Pride Montréal, Stereo Nightclub and many more! BunBun has also performed visuals alongside reputable artists such as Alicia Keys, Atari Teenage Riot, Guy Laliberté, John Digweed, Lee Burridge, Monolink, Rüfüs Du Sol and hundreds more.

WEBSITE
JASON VOLTAIRE
VJ SET
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Jason Voltaire is an interdisciplinary artist based in Montreal. Always in search of new methods to craft video, Voltaire’s work touches upon motion graphics design as well a 3D graphics and programming. He is heavily interested in breathing an auratic essence into his workflow all the while keeping it concise. He often refers back to the past but re-contextualises it to have his say within contemporary conversations. Along with his boundary-pushing visual work, Voltaire also creates future-facing bootyhouse and ghettotech as Martyn Bootyspoon.

VIMEO


Espace SAT + Livestream
July 10, 16, 17, 23 and 24 from 8 p.m. to 10:30 pm
In-person in the Espace SAT + Livestream
Tickets: $20 (+taxes and service fees).

Capacity limited to 60 seats in a seated formula
Bar service offered on site

 


BUY YOUR TICKETS


Supported by SODEC
In the Quartier des Spectacles



Billetterie Weezevent

MESURES SANITAIRES
La SAT s'engage à vous offrir un environnement sécuritaire. Les mesures d’hygiène, de nettoyage et de désinfection des salles de la SAT respectent les mesures recommandées par le Ministère de la Santé et des Services sociaux du Québec. Nous avons aménagé nos espaces afin de favoriser le respect de la distanciation, nous avons augmenté la fréquence de nettoyage et de désinfection de nos installations et nous nous assurons que nos clients respectent les mesures d’hygiène de base et l’étiquette respiratoire suivantes:

1. Le port du masque ou couvre visage sera obligatoire en tout temps;
2. Votre siège sera numéroté et vous sera assigné, ce sera le même tout au long de l’événement;
3. Nous vous demandons de ne pas vous présenter à la salle si vous avez des symptômes de la COVID 19 (toux, fièvre, difficultés respiratoires, fatigue extrême, perte soudaine de l’odorat) ;
4. Le personnel d'accueil vous informera des mesures valides à suivre lors de votre présence à l'évènement ;
5. La SAT se réserve le droit de refuser l’accès à la salle aux personnes ne respectant pas les consignes de santé et de sécurité.