Showtime : 5pm and 8pm in December
1pm, 2:30pm, 4pm on December 22-23-24-27-28
Stay for a drink or a bite to eat after the show! Enjoy a 10% discount at Pavillon, the SAT's new restaurant. Upon presentation of your ticket, same day only.
A full night at the SAT with MUTEK and MTL 24/24 in the company of some of drum and bass and techno's greatest luminaries.
What do you get when you invite a drum and bass legend in constant exploration, a techno expert, one of the most inspired and prolific producers of his generation and some local talents?
8 hours of non-stop music for an All Night that will have the entire SAT vibrating. Whew.
New! Pass through our doors before 11pm or midnight and benefit from preferential rates (limited quantity)*.
*ticket scanning at the SAT entrance must be done before the deadline indicated on your ticket latecomers will pay the difference with the general admission rate please anticipate the possible wait at the entrance and the related scan times our staff will not be held responsible for any delays
dBridge, aka Darren White, has been traversing the drum and bass scene since the early ’90s, perhaps most memorably spearheading the group Bad Company alongside Dj Maldini, Fresh and Vegas. But Darren’s musical interest is far more unconventional and far-reaching than we might expect. Since founding Exit Records in 2003, Darren has demonstrated a clear desire to move away from typical club style drum and bass sounds to more ambient and experimental soundscapes, turning away from the contemporary technology that dominates production today and returning to old school techniques, equipment and production styles.
Erika dreams on the cellular level, or perhaps of transdimensional intelligences moving through strange patterns on celestial objects. Her approach to music is simultaneously so solid and yet so ethereal. Erika still accomplish many things in her waking hours, such as being a member of Ectomorph and Circle of Live, co-conspirator of Interdimensional Transmissions record label, DJing and making music with her pet machines. She has become an electronic musician of the highest order, focusing on analog synthesis, with live hardware sequencing that allows transformation over time and a deep depth of tone.
Peder Mannerfelt splits the difference between playful immediacy and daring experimentation. You’re as likely to find him premiering a show at Berlin’s Atonal festival as pulling apart fabled techno meccas from Berghain to Fabric with synapse-frying precision. One minute he’s being asked to remix Björk, and the next he’s dropping EPs of non-conformist techno for the Voam label. As a producer, he’s worked on every one of Fever Ray’s acclaimed albums, as well as projects from alt music heavyweights such as Smerz, Blonde Redhead and Glasser. Mannerfelt thrives on the energy of club music as he pushes the music’s possibilities in wild, unpredictable directions.
Having found love for the Montréal DIY rave community, Jade (They/He) developed a hyper-fixation for Djing. Obsessed with digging tracks then superposing and blending them on the decks, Jade is motivated by the desire of understanding the movements of energy within dancefloors and curating spontaneous but thought of sound landscapes. Focusing mainly on the percussive complexity of techno and bass music, they seek to channel their energy in the purest form possible. Getting inspired everyday by their peers and seeking to constantly learn new ways to reinvent and morph their own style.
Montreal’s Nela Paki or laced produces progressive, entrancing electronic patterns. In 2022, she released two EPs: “Caustic Reverie” on UK label All Centre and “oko” (“eye” in her native language) on her own imprint, Causal Chain. She has performed live sets alongside artists like E-Saggila, Hiro Kone, Boy Harsher, has DJ’d with Ploy, J. Albert, Objekt, and performed at festivals such as MUTEK (Montreal and Tokyo), Suoni Per Il Popolo, Piknic Electronik and Igloofest. She is also part of Saudade, a project inspired by industrial dub, ambient and jazz.
Born and raised in Montreal with North African roots, zi!’s love for music and dance came well before they stepped inside a nightclub. Very active in Montreal’s vibrant underground scene, she has been creating dancefloor euphoria through DJing as well as with event organizing, as part of queer collective FLUSH and of Missed Connections. Musically, their sets include an array of percussive grooves and sentimental breaks. zi! has quickly made their mark in Montréal’s DIY scene.
For years, Shirlee worked behind the scenes in Montreal nightlife, observing the crowds and watching artists perform. She quietly developed her skills, driven by her love for music and learning from the best. Now, she’s ready to share her sound, blending nostalgic Hip-Hop and Dance Classics with Deep, Minimal, and Tech House. Get ready for an emotional journey through a carefully curated track selection that connects the past with the present.
A Pioneer of Montreal's electronic music scene, Soundshaper weaves musical genres with ease. He distinguishes himself on the decks with his bold approach, challenging genres and defying standards, all while maintaining the spirit of the dancefloor. It's with this same craft that he fashions his Nearfield mixes where styles meet and merge to create a spellbinding soundscape.
MightyKat was born with a sixth sense for rhythm. Counting her main influences as jazz, disco and soul, her unique sound bridges eclectic house and the funkier side of techno, MightyKat's sophisticated style and refined track selection define her signature sound, while her love of the dance floor inspires her to take the crowd on a unique journey every time she hits the decks. Playing over 20 years, MK is a veteran of the Montreal electronic music scene who’s talent got her noticed on the international scene, eventually getting picked up by the American-based Listed Agency.
susy.technology is а collective dedicated to the research and creation of audio-visual art engaging with the futurity of interactive media, cyberculture and extended reality.
U+1F264— Unicode for 😤, he uses generative art to mixes his visuals. He is heavily inspired by the color field movement and the light and space movement. Maximaliste in his usage of strobes, he creates colorful environments in osmosis with music, lighting and scenography.