Using archival bird recordings from the 1930s, this performance explores the historical and sonic relationships between birds, humans and sound reproduction technologies. The performance recontextualizes the history of bird song recordings by blending documentary archives, shellac records, gramophone and contemporary interactive algorithmic technologies. The project emphasizes a dynamic back-and-forth between different types of discourse, technology, gesture and sound. In so doing, A Conversation Between a Partially Educated Parrot and a Machineproposes an immersive sound experience in which birds, machines and humans make music together.
An encounter between a cinematic sound universe and the stubborn rhythms of Intelligent Dance Music, Lions on the Run creates a bridge between the instrumental and electronic worlds. Baritone saxophone, voice and electronics occupy the sound space, in which an imaginary character is invited to create his own fantasy world, embracing the tumultuous flow of life. For the Substrat series, Lions on the Run will take on an immersive dimension, inviting the audience into the heart of the character's experience.
Checkpoint 303 is an avant-garde activist sound art project that creates experimental electronic music raising awareness about the struggle for liberation, justice and self-determination, and against settler-colonialism, occupation and apartheid. Using archives and recordings predominantly from Palestine and countries throughout the Arab world, Checkpoint 303 constructs soundscapes that weave cinematic audio with experimental sound processing, breakbeats and glitch.