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Entwined Memories

TICKETS

ABOUT THE IMMERSIVE FILMS

Across the Lake/Kòe Ô͘ - 2023 (France/Taiwan)

Across the Lake / Kòe Ô͘ is an audiovisual decoy that questions the construct of perception, presenting fragmented glimpses of a journey that shift between microcosms and macrocosms, real and imagined landscapes. The interplay of sound and visuals—triggering and reshaping consciousness—cultivates life, from the growth of bacteria to the exploration of the mind's void, establishing an alliance with freedom. The work dismantles the boundaries of awareness, revealing a cyclical journey of death and rebirth.
Duration: 08:30

A film by Sandrine Deumier and Cia Himian Li

Sandrine Deumier is a pluridisciplinary artist working in the fields of performance, poetry and video art, whose work investigates post-futurist themes through the development of aesthetic forms related to digital imaginaries. Passionate about digital storytelling, immersive artistic experiences, ecological concerns and speculative futures, her work focuses on imagining new ways of inhabiting the world using new technologies from an animist perspective.

Cia Himian Li is a transmedia artist and educator based in Tainan, Taiwan. Her work explores the relationship between sound, consciousness, and the environment, using various media such as sound, installation, performance, and painting. Li examines the invisible connections between humans and their environments, and how sound reflects awareness and existence. Her art has been showcased in Taiwan, the US, South Korea, Germany, and China. She is also the founder of Incorrect Lab.
©
LIN Hsuan-Lang

INSIGHT - 觀 - 2024 (Taiwan)

Rooted in necromantic rituals—an important aspect of Taiwanese religion and culture—this work explores the profound connection between a revered master and their blindfolded followers. Through these rituals, participants gradually navigate reality by passing through shifting “scenes” of consciousness. Reimagined within a virtual environment, the film delves into these altered states using a rich sonic landscape: ambient sounds, field recordings, traditional Taiwanese music and modern instruments interweaved with a fusion of Eastern and Western electronic practices. By blurring the boundaries between the spiritual and the digital, this piece invites reflection on how emerging technologies like virtual reality are reshaping our understanding of identities, sensory perceptions and rituals.
Duration: 12:50

A film by XTRUX and SHENG 晟

XTRUX is a Taipei-based new media art collective founded in October 2020, working with a diverse range of mediums including artificial intelligence, the Metaverse, video games, motion capture, sound art (Klangkunst), light, installations, Rave, audiovisuals, and more. Their creative practice primarily explores the interaction between the "virtual world, digital identity, and Taiwanese folk beliefs”, aiming to reshape the relationship between virtual and immersive media.

SHENG 晟 (YANG Sheng-Wen), born in 1985 in Tamsui, Taipei, is a sound artist and music producer whose works wander the sonic space between the acoustic, explorative reality, glitch and psychedelic distortions, blending elements of theatre, film, and sound experimentation. SHENG's current projects integrate a diverse range of techniques, including Foley, ambient sound, field recordings, test tones, and traditional instruments, in an effort to create an electronic sound that resonates with future worlds.

Warning: this film contains flashing lights/strobe lighting.
©
LIN Hsuan-Lang

Night Walk - 夜遊 - 2023 (Taiwan)

Night Walk invites viewers into a dreamlike journey as a restless soul drifts from the confines of an insomniac’s room, through an empty street, and deep into a surreal forest. The film seamlessly transitions between the ghostly stillness of a dark house and the outside world, creating a sense of disorientation and mystery. By the end, the audience is left with a feeling of being suspended in the lingering haze of a dream half-remembered.
Duration: 08:56

A film by CHUANG Ho

CHUANG Ho roots his artistic style in his natural, rough and rugged hand drawn lines, holding an unwavering belief that every frame created on the paper, when an artist hand draws their art, produces the value of time and space that’s irreplaceable for the physical world.

in s.asmbli - 2020 (Japan/Germany)

s.asmbli / subassemblies pursues the relationship between nature and human creation through an architectural lens, reconstructing 3D data captured by laser scannings of ruins, nature-invaded buildings and decaying architectures. The film blurs the boundaries between the natural and the man-made, merging the abstract with the concrete in a surreal space where physical laws is suspended.
Duration: 06:48

A film by Ryoichi Kurokawa

Japanese artist Ryoichi Kurokawa (Lives and works in Berlin) is a true poet of the transformative cinema, lyrically transfiguring the analogue representations of perceived nature into digital streams of vertiginous imagery & emotion. The architecturally crafted precision of his sensitively synched fragmentary images placed side by side on our retina, tends to displace the persistence of blurred memory under the effect of boundless luminosity. His works have been shown across the world at various festivals and museums including TATE Modern [UK], Centre Pompidou [FR], 54th Venice Biennale [IT], Mutek [CA/MX/JP/ES], Minsheng Art Museum [CN], YCAM [JP], National Taiwan Museum of Fine Arts [TW], ACC [KR], Arsenal, Elektra Biennial [CA/QC ]and Espace Culturel Louis Vuitton [FR].

Warning: this film contains flashing lights/strobe lighting.

Chaotic Grammar - 混沌文法 – 2022 (Taiwan)

Our world is constructed by language, and the grammar that can’t be fully understood is creating chaos.

Chaotic Grammar is an algorithmic, audiovisual immersive experience that generates corresponding models and sounds based on keyword searches, with the results becoming notes within a sequencer. Through free combination and mutual appropriation, the film unfolds in a surreal and eerie progression, creating a new space for reorganizing the subjective world by directly confronting chaos.
Duration: 14:00

A film by Tim Wei - 魏廷宇

Tim Wei is a digital artist from Taiwan, currently living in Tokyo. Formerly the art director of Submarine, he has held key technical roles in various immersive spaces and performances across Taiwan. His works primarily feature real-time visuals, audio-visual compositions, and electronic installations. Tim delves into the intricate relationships that emerge when text and language are transformed into images, exploring themes of distortion, cross-referencing, misplacement, and the interplay within cross-narratives. He also hosts Taiwan's largest contemporary art podcast, providing in-depth discussions on art, culture, and media.
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