On October 30 and 31, the entire SAT goes into Halloween mode for an all-night marathon like nowhere else. Two nights, two floors and a line-up bringing together some of the biggest names from the international and Montreal circuits, spanning techno, electro, house and bass.
On October 30, Espace SAT welcomes Danny Daze, Carlos Souffront and James Benjamin b2b Flleur, with unpredictable selections that know no musical boundaries. Inside the dome, Mor Elian, Ehua and Melek take over with percussive, bass-heavy and experimental sounds, surrounded by 360° visuals from Al11z and Mostly Noise.
On October 31, we go again with DJ Stingray 313, a mainstay of Detroit electro and techno, alongside Clarisa Kimskii and technique nado in Espace SAT. In the Satosphere, Suze Ijó, Ramzilla and Amselysen b2b Racine move between house, psychedelic grooves and electronic explorations, with Aphex Redditor and Diagraf on immersive visuals.
Rooted in Miami's B-boy culture, Danny Daze has become a figure synonymous with an innovative spirit. Influenced by the Dutch electro and Detroit techno scenes of the 90s, he places great importance on exploring and pushing musical boundaries. With his label Omnidisc, Daze focuses on raw and unpolished music that stands out for its authenticity. His approach as a DJ and producer defies conventional genre boundaries, navigating through electro, techno, and Italo Disco, demonstrating versatility and a penchant for surprise. Daze's work ranges from vibrant techno tracks to creating soundtracks for fashion brands, highlighting his obsession with detailed audio manipulation and innovation.
DJ Stingray 313 is a Detroit electro and techno icon known for his relentless, futuristic DJ sets and signature balaclava. Closely connected to the legendary Drexciya, he became the group’s official touring DJ after working with James Stinson and Gerald Donald. His uncompromising approach has taken him to major clubs and festivals including Berghain, Tresor, Dekmantel, Movement Detroit, Sónar, Glastonbury and Berlin Atonal. His releases span labels such as Warp, Tresor, Rephlex and Mahogani Music, while his own Micron Audio imprint champions raw, textural electro and techno. Decades into his career, Stingray continues to push electronic music toward the future.
Mor Elian is a Berlin-based DJ and electronic musician known for her forward-thinking, percussion-driven sound and preference for broken rhythms. She co-runs the label Fever AM, releasing her own productions alongside music from other artists, and has appeared on labels including Hypercolour and Radio Matrix. Her work extends into experimental ambient music under the Alloy Sea moniker. Elian has performed at festivals including Sónar, Primavera, Dekmantel, Draaimolen and Sustain-Release, and shared b2b sets with artists such as Helena Hauff, Pariah and Piezo. Her debut album on Topo 2 marks a new chapter in her evolving artistic practice.
Carlos Souffront is a music gourmet, a true DJ's DJ, known for his vast musical knowledge and ability to build deeply rhythmic, unpredictable narratives. Raised in Troy, New York, he developed his mixing skills early, moving effortlessly between techno, house, post-punk, experimental music, ambient and beyond. His sets are heavy, deep and gritty, driven by a search for rhythmic complexity rooted in his Caribbean heritage. A key figure in Interdimensional Transmissions and its legendary No Way Back parties, Souffront brings a distinctive sense of mood, imagination and surprise to the dance floor, earning a reputation as a singular voice in electronic music.
London-based Italian DJ, producer and vocalist Ehua has developed a distinctive sound rooted in percussion, shifting tempos and bold sonic experimentation. Since her 2018 debut EP Diplozoon, she has become known for dynamic, genre-fluid DJ sets and thoughtful productions that balance texture, structure and mood. Her releases span labels including 3024 Music, Nervous Horizon, Exit Records, Tratratrax, Ninja Tune and Svbkvlt, while her long-running Rinse FM residency showcases her wide-ranging influences. Beyond the club, Ehua composes soundtracks for film and multidisciplinary dance, works as a mentor and educator, and is part of Rome-based arts collective Spazio Griot.
Rotterdam-born DJ Suze Ijó channels a lifelong love of dance and record collecting into warm, soulful sets rooted in connection and self-expression. Inspired by the communal spirit of David Mancuso’s legendary Loft parties, her selections move between infectious Chicago house, uplifting ’80s cuts and rich, soulful grooves. For Ijó, house is a feeling rather than a BPM range, and each set is shaped to create a collective experience on the dancefloor. She has performed at Panorama Bar, De School, Nowadays, Dekmantel and Wonderfruit, while her curatorial work and radio appearances on NTS and The Lot Radio further showcase her distinctive musical vision.
Brooklyn-based DJ and producer Clarisa Kimskii is known for her distinctive blend of psychedelic, tribal and driving techno, weaving timeless and contemporary grooves into propulsive, atmospheric sets. A veteran of the underground techno scene, she was a resident DJ at Brooklyn queer party Merge from 2022 to 2025 and runs her own label, L.A.G. Her productions have also appeared on labels including Bite, Monday Off and Gradient Sound. Kimskii has performed at renowned clubs such as Berghain, BASEMENT, Tresor, Nowadays and RAUM, as well as festivals including WHOLE, Wonderfruit, Organik, Rural, Honcho Campout and Sustain-Release.
James Benjamin is a Montréal-based DJ, producer, Grammy-winning engineer and co-owner of Breakglass Studios. His bass-heavy, vocal-forward and genre-fluid sets are built for physical impact, movement and strong room energy. As a producer and engineer he has collaborated with artists including Kaytranada, Purity Ring, DJ Swisha, Lunice, Bianca Oblivion, Danny Daze and Honeydrip, while his own work spans club releases, live performance and immersive sound.
Flleur is a Mexican-Canadian, Montreal-based DJ who explores dance music across genres, from vocal-driven classic house and disco to new wave, post-punk, and techno. Notable gigs include opening for Derrick Carter, Young Marco, POiSON GiRLFRiEND, Molchat Doma, Mark Grusane, Nabiha Iqbal, and Umru. She has played festivals across Canada, including Piknic, Palomosa, FME, BleuBleu, IglooFest and Pique. Flleur is a resident at Système in Montreal and is the touring DJ for Public Appeal. Flleur has had her radio show “Also Cool”on n10.as for the last six years.
Melek’s mastery of jungle-infused sounds, combined with a love for low end, has made her a common feature across bass-leaning nights in Montréal, delivering sets that find the perfect balance between headiness and dancefloor-driven energy. Since 2014, she’s co-run Musik Me Luv, one of the pillars of the city’s underground bass scene, showcasing both international heavyweights and local talent.
technique nado (they/them) is a Montreal based dj and producer. Rooted in grooves, their sonic psyche explores the bridges between techno, bass and house. Conjuring movement-informed selections to dazzling tones, they approach the dancefloor as a tool for collective and personal expression.
Ramzilla (RAMZi) is the solo project of musician, DJ, and multidisciplinary artist Phoebé Guillemot from Montreal/ Tiohtià:ke. Since 2012, she has developed a richly textured sonic world where electronic elements weave with acoustic instrumentation, processed voices and whimsical soundscapes. RAMZi emerges as a forest spirit—part myth, part avatar—watching over an alternate ecosystem shaped by the frictions and harmonies between nature and technology, nostalgia and futurism. Across fifteen albums, RAMZi has cultivated a distinct language that blends mutant folklore, dubby psychedelia, ‘grem-tek’ and post-tropical electronics. Her latest releases, Balmini, Moon Tan and Feu Follets were issued through FATi Records, the label she founded in 2018.
Amselysen & Racine’s modus operandi: building up tension to its limits before it snaps into an ambush of club-ready bangers. Influenced by IDM, techno, deconstructed club and french touch, the duo effortlessly blends genres to create new possibilities in the realm of club music. With their breakout performance at MUTEK 2023, alongside Kyoka, Nadia Struiwigh, or through Humidex's 5 year anniversary, A&R have established themselves as strong challengers in the future sound of dancefloors.
Alice Aterman (@al11z) is a digital multimedia artist based in Montreal/Tiohtià:ke. Her work explores the intersection of physical and digital worlds, blending natural forms and urban grunge with surrealism, glitch aesthetics, and shifting light. Through 3D animation, immersive visuals, and audio-reactive systems, she creates atmospheric environments that blur the boundaries between real and imagined space. Her work has been presented at MUTEK Montréal in the SAT dome, Sphere Las Vegas, EDC Las Vegas, EDC Thailand, and North Coast Festival. Driven by curiosity and experimentation, her practice continues to evolve at the intersection of art, sound, and immersive technology.
Mostly Noise is a Montréal-based new media collective founded in 2022 by Johan Vagstedt and Danila Sergienko in collaboration with Hashem Ali, and joined by Olga Ionina in 2024. Their work ranges from cinematic environments to abstract compositions, using landscapes, graphic forms, textures and movement to play with the scale and architecture of immersive spaces.
Aphex Redditor is an emerging digital artist and VJ based in Montreal. Her work deals with the mass-cultural influence of the internet, focusing on the coded meaning of images in a post-internet society. Thematically, her visual influences are connected to online remix culture, pairing with fringe styles of electronic music that emerge on platforms like Soundcloud. Her visuals are often composed of found internet media, frenetic motion, and self-referential text.
With a filmmaker's perspective on visual themes and narrative, Diagraf combines minimalist aesthetics and complex evolving graphics with emotive cinematic content. Keenly attuned to the sounds of the musicians and producers he works with, Diagraf often creates new content inspired by their music, working a bit like a filmmaker in reverse, as he edits his live images while the musical performance unfolds.