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Satosphere
Concerts & DJs

Dômesicle — Mike Servito (US) • Vayia • Andrea de Tour

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Mike Servito

Mike Servito is a DJ whose sound is rooted in Detroit’s legacy while shaped by years between the Motor City and New York. Emerging in the early 1990s, he built his reputation through relentless sets across Detroit before relocating to NYC, where he became a core resident of The Bunker NY. His breakthrough came in 2014 with a widely acclaimed mix that elevated him onto the global stage. Known for a high-energy, jacking style that seamlessly blends house, acid, and techno, Servito delivers instinctive, driving sets that balance raw intensity with a deep respect for dancefloor tradition.
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Vayia

Vayia is part of a new wave of artists shaping the dancefloor through a genre-fluid approach rooted in house. Known for her ability to read a room with precision, her sets move intuitively across sounds, balancing groove, tension, and subtle evolution.
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Andrea de Tour

Andrea de Tour is a Montreal-based DJ focused on raw, distorted Chicago acid house and hypnotic Detroit techno. With roots as a jazz vocalist from age 11, her stripped-back, groove-driven sets are built for letting loose and tapping into the visceral, body-driven core of the dancefloor. A regular across the city’s club and festival circuits, including Piknic Électronik, Igloofest, and Palomosa, she has shared lineups with artists like The Dare, Gesaffelstein, Cassius, Louie Vega, and A-Trak. She pushes into more eclectic, genre-blending territory on her monthly N10.as radio show, Night Ballads.
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Le Frankenstein

Francis Pineau a.k.a. Le Frankenstein is a 3D, video, and audio artist. His work takes shape as 3D animations, audiovisual performances, motion design work and audio production. Rooted in the digital arts, he juxtaposes different techniques and is focused on the unique properties and limits of the mediums he uses. His projects conjures visions of disjointed worlds, of forgotten pasts and of possible futures.
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TiND

Active since 2001, TiND is a video art group renowned on the Montreal scene for having developed their own techniques for live audiovisual, based on the use of errors. By hijacking common analog audio equipment such as the distortion pedal, TIND creates singular imagery that visually echoes the original sound material. Their live performances are laboratories for real time experimentation : a perfect mix of controlled improvisations with prepared interventions and mastered errors.
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